{"id":4475,"date":"2026-04-04T12:39:07","date_gmt":"2026-04-04T10:39:07","guid":{"rendered":"https:\/\/portale2.unime.it\/agon\/?page_id=4475"},"modified":"2026-04-04T12:58:04","modified_gmt":"2026-04-04T10:58:04","slug":"fascicolo-issue-48","status":"publish","type":"page","link":"https:\/\/portale2.unime.it\/agon\/fascicoli\/fascicolo-issue-48\/","title":{"rendered":"Fascicolo \/ Issue 48"},"content":{"rendered":"

\u00abAGON\u00bb<\/i><\/b><\/span><\/p>\n

Rivista Internazionale di Studi Culturali, Linguistici e Letterari<\/i><\/b><\/p>\n

(ISSN 2384-9045)<\/b><\/p>\n

Direttore responsabile: Massimo Lagan\u00e0<\/i><\/b><\/p>\n

n. 48 (gennaio – marzo 2026)<\/strong><\/p>\n

SOMMARIO<\/strong><\/p>\n

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 <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n\n\n\n\n\n
\n

Antonino Lagan\u00e0<\/a><\/h4>\n

Il mezzo e il fine\u00a0<\/b><\/a><\/h4>\n

[The Means and the End] (p. 3)<\/a><\/h4>\n<\/td>\n<\/tr>\n

\n

Luciano Tripepi<\/a><\/h4>\n

Jean-Luc Nancy e le sette parole del Cristo in croce. I limiti erme<\/b>neutici della decostruzione<\/b><\/a><\/h4>\n

[<\/span>Jean-Luc Nancy and the Seven Words of Christ on the Cross. The Hermeneutic Limits of Deconstruction] (p. 7)<\/span><\/a><\/h4>\n<\/td>\n<\/tr>\n

\n

Claudia Cicero<\/a><\/h4>\n

La sapienza personificata nel libro dei Proverbi<\/i>. <\/b><\/a><\/h4>\n

Pr<\/i> 8,22-31 e Pr<\/i> 31,10-31 come cornice teologica di hokm\u00e2<\/i>\u00a0<\/b><\/a><\/h4>\n

[<\/span>Personified Wisdom in the Book of Proverbs.<\/a><\/h4>\n

Prov 8:22\u201331 and Prov 31:10\u201331 as the Theological Frame of hokm\u00e2<\/i>] (p. 25)<\/span><\/a><\/h4>\n<\/td>\n<\/tr>\n

\n

Paolo Pizzimento<\/a><\/h4>\n

\u00abIo son dolce serena\u00bb (Purg<\/i>. XIX, 19): una conflictual reading<\/i> della <\/b>\u201cfemmina balba\u201d dantesca<\/b><\/a><\/h4>\n

[<\/span>\u00abIo son dolce serena\u00bb (Purg. XIX, 19): a conflictual reading of Dante\u2019s \u201cfemmina balba\u201d] (p. 39)<\/span><\/a><\/h4>\n<\/td>\n<\/tr>\n

\n

Andreas H\u00f6lzle<\/a><\/h4>\n

Gegen die Trostlosigkeit der Behandlung lyrischer Texte im Unter<\/b>richt! Beispiel einer Gedichtanalyse von Bertolt Brechts \u201eDer Rauch\u201c<\/b><\/a>\u00a0<\/b><\/span><\/h4>\n

[<\/span>Against the bleakness of teaching poetry in the classroom! Example of\u00a0a poem analysis of Bertolt Brecht\u2019s \u2018Der Rauch\u2019 (The Smoke)] (p. 57)<\/span><\/a><\/h4>\n<\/td>\n<\/tr>\n

\n

AGON (p. 83)<\/a><\/h4>\n<\/td>\n<\/tr>\n

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Scarica l’intero fascicolo – Download the full issue\u00a0<\/a><\/h4>\n<\/td>\n<\/tr>\n

<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Direzione scientifica:<\/b><\/h4>\n

Massimo Lagan\u00e0<\/b><\/p>\n

(Universit\u00e0 degli Studi di Messina, Italia)<\/p>\n

Telefono mobile: +393491539544 E-mail: mlagana@unime.it<\/a><\/p>\n

Comitato scientifico<\/i>:<\/strong><\/p>\n

Francesco Aqueci<\/b><\/h4>\n

(Universit\u00e0 degli Studi di Messina, Italia)<\/h4>\n

<\/h4>\n

Annalisa Bonomo<\/b><\/h4>\n

(Universit\u00e0 degli Studi di Enna “Kore”, Italia)<\/h4>\n

<\/h4>\n

Ignacio Bosque Mu\u00f1oz <\/b><\/h4>\n

(Universidad Complutense de Madrid, Espa\u00f1a – Miembro de la R.A.E.)<\/h4>\n

<\/h4>\n

Anna Cardinaletti<\/b><\/h4>\n

(Universit\u00e0 Ca\u2019 Foscari, Venezia, Italia)<\/h4>\n

<\/h4>\n

Anthony Cripps <\/b><\/h4>\n

(Nanzan University, Nagoya, Japan)<\/h4>\n

<\/h4>\n

Iryna Volodymyrivna Dudko <\/b><\/h4>\n

(Dragomanov Ukrainian State University, Kyiv, Ukraine)<\/h4>\n

<\/h4>\n

Kadhim Jihad Hassan <\/b><\/h4>\n

(Professeur en Litt\u00e9ratures Arabes et Compar\u00e9es, INALCO, Paris, France)<\/h4>\n

<\/h4>\n

Philippe Jousset <\/b><\/h4>\n

(Universit\u00e9 de Provence Aix-Marseille, France)<\/h4>\n

<\/h4>\n

Massimo Lagan\u00e0 <\/b><\/h4>\n

(Universit\u00e0 degli Studi di Messina, Italia)<\/h4>\n

<\/h4>\n

Eric Lecler <\/b><\/h4>\n

(Universit\u00e9 de Provence Aix-Marseille, France)<\/h4>\n

<\/h4>\n

Svitlana Kulieznova <\/b><\/h4>\n

(National Technical University of Ukraine<\/h4>\n

\u201cIgor Sikorsky Kyiv Polytechnic Institute\u201d, Ukraine)<\/h4>\n

<\/h4>\n

Comitato editoriale<\/i>:<\/strong><\/p>\n

Rosario Arias Doblas<\/b><\/h4>\n

(Universidad de M\u00e1laga, Espa\u00f1a)<\/h4>\n

<\/h4>\n

Francesca De Cesare<\/b><\/h4>\n

(Universit\u00e0 di Napoli \u201cL\u2019Orientale\u201d, Italia)<\/h4>\n

<\/h4>\n

Luigi Rossi<\/b><\/h4>\n

(gi\u00e0 Universit\u00e0 degli Studi di Messina, Italia)<\/h4>\n

<\/h4>\n

Ve-Yin Tee <\/b><\/h4>\n

(Nanzan University, Nagoya, Japan)<\/h4>\n

<\/h4>\n

Giuseppe Trovato <\/b><\/h4>\n

(Universit\u00e0 Ca\u2019 Foscari, Venezia, Italia)<\/h4>\n

<\/h4>\n

Alessandra Vicentini<\/b><\/h4>\n

(Universit\u00e0 degli Studi dell’Insubria, Italia)<\/h4>\n

<\/h4>\n

<\/h4>\n

Periodico registrato presso il Tribunale di Reggio Calabria (Registro Stampa, n. 7\/14, 30 giugno 2014).<\/strong><\/p>\n

Gli autori sono legalmente responsabili degli articoli. I diritti relativi ai saggi, agli articoli e alle recensioni pubblicati in questa rivista sono protetti da Copyright \u00a9. I diritti relativi ai testi firmati sono dei rispettivi autori. La rivista non detiene il Copyright e gli autori possono anche pubblicare altrove i contributi in essa apparsi, a condizione che menzionino il fatto che provengono da \u00abAGON\u00bb (ISSN 2384-9045). \u00c8 consentita la copia per uso esclusivamente personale. Sono consentite le citazioni purch\u00e9 accompagnate dal riferimento bibliografico con l\u2019indicazione della fonte. La riproduzione con qualsiasi mezzo analogico o digitale non \u00e8 consentita senza il consenso scritto dell\u2019autore. Sono consentite citazioni a titolo di cronaca, critica o recensione, purch\u00e9 accompagnate dal nome dell\u2019autore e dall\u2019indicazione della fonte. Le collaborazioni ad \u00abAGON\u00bb sono a titolo gratuito e volontario e quindi non sono retribuite. Possono consistere nell\u2019invio di testi e\/o di documentazione. Gli scritti e quant\u2019altro inviato, anche se non pubblicati, non verranno restituiti. Le proposte di collaborazione possono essere sottoposte, insieme a un curriculum vitae<\/em>, in formato Word (doc o docx), alla Direzione della Rivista a questo indirizzo e-mail:\u00a0mlagana@unime.it<\/a>. I contributi vengono accettati o rifiutati per la pubblicazione a insindacabile giudizio della Direzione scientifica, che si avvale della consulenza di uno o pi\u00f9 componenti del Comitato Editoriale e della revisione paritaria realizzata da esperti esterni anonimi. I contributi accettati vengono successivamente messi in rete sulla Rivista.<\/p>\n

Copyright \u00a9 – All Rights Reserved<\/p>\n

 <\/p>\n

Periodical registered at the Court of Reggio Calabria (Publishing Registration, n. 7\/14, 30 June 2014). <\/strong><\/p>\n

The authors are legally responsible for the articles. The rights relative to the essays and reviews published in this periodical are protected by Copyright \u00a9. The rights relative to the signed texts belong to their respective authors. The magazine does not keep the Copyright and the authors can also publish somewhere else the articles and contributions presented in it, provided that they mention they come from \u00abAGON\u00bb (ISSN 2384-9045). The copy for exclusively personal use is permitted. Quoting is allowed, provided that it is accompanied by a bibliographic reference with the indication of the source. The reproduction, by any analogical or digital means, is not allowed, without written permission from the author. Quotations are allowed for chronicle, study, criticism or review, provided that they are accompanied by the author\u2019s name and the indication of the source. The collaborations to \u00abAGON\u00bb are for free and voluntary, and so they are not remunerated. They may comprise sending texts and\/or documents. Written documents and what else sent, even if not published, will not be given back. Collaboration proposals may be submitted, along with a curriculum vitae<\/em>, in Word format (doc or docx), to the Management Team at the following e-mail address: mlagana@unime.it<\/a>. Collaborations are accepted or refused for publication at the incontestable discretion of the Scientific Management Team, which will avail itself of the expert advice of one or more members of the Editorial Committee and of the peer review achieved by external anonymous referees. The accepted contributions are later inserted in the magazine and put on the net.<\/p>\n

Copyright \u00a9 – All Rights Reserved<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00abAGON\u00bb Rivista Internazionale di Studi Culturali, Linguistici e Letterari (ISSN 2384-9045) Direttore responsabile: Massimo Lagan\u00e0 n. 48 (gennaio – marzo 2026) SOMMARIO   Antonino Lagan\u00e0 Il mezzo e il fine\u00a0 [The Means and the End] (p. 3) Luciano Tripepi Jean-Luc … Continua a leggere→<\/span><\/a><\/p>\n","protected":false},"author":52,"featured_media":0,"parent":10,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4475","page","type-page","status-publish","hentry"],"yoast_head":"\nFascicolo \/ Issue 48 - \u00abAGON\u00bb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/portale2.unime.it\/agon\/fascicoli\/fascicolo-issue-48\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fascicolo \/ Issue 48 - 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