{"id":4522,"date":"2026-04-26T11:59:38","date_gmt":"2026-04-26T09:59:38","guid":{"rendered":"https:\/\/portale2.unime.it\/agon\/?page_id=4522"},"modified":"2026-04-26T12:16:00","modified_gmt":"2026-04-26T10:16:00","slug":"quaderno-26","status":"publish","type":"page","link":"https:\/\/portale2.unime.it\/agon\/quaderni\/quaderno-26\/","title":{"rendered":"Quaderno 26"},"content":{"rendered":"<h4><strong>Quaderno n. 26 di \u00abAGON\u00bb<\/strong><\/h4>\n<h4>Supplemento al n. 48 (gennaio-marzo 2026)<\/h4>\n<h4><\/h4>\n<p>&nbsp;<\/p>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p style=\"text-align: center\"><a href=\"https:\/\/portale2.unime.it\/agon\/agon\/autori\/a-f\/cicero-vincenzo\/\">VINCENZO CICERO (ED.)<\/a><\/p>\n<h1 style=\"text-align: center\"><a href=\"https:\/\/portale2.unime.it\/agon\/wp-content\/uploads\/sites\/104\/2026\/04\/S260a.pdf\">SCHERMI DELLA PSICHE<\/a><\/h1>\n<h1 style=\"text-align: center\"><a href=\"https:\/\/portale2.unime.it\/agon\/wp-content\/uploads\/sites\/104\/2026\/04\/S260a.pdf\">PERCORSI TRA IMMAGINE, CORPO E NARRAZIONE<\/a><\/h1>\n<p style=\"text-align: center\"><a href=\"https:\/\/portale2.unime.it\/agon\/wp-content\/uploads\/sites\/104\/2026\/04\/S260a.pdf\">[Screens of the Psyche:<\/a><br \/>\n<a href=\"https:\/\/portale2.unime.it\/agon\/wp-content\/uploads\/sites\/104\/2026\/04\/S260a.pdf\">Paths between Image, Body, and Narration]<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<p style=\"text-align: center\"><strong>\u00a0<\/strong><\/p>\n<h4><a href=\"https:\/\/portale2.unime.it\/agon\/wp-content\/uploads\/sites\/104\/2026\/04\/S260b.pdf\"><strong>SOMMARIO<\/strong><\/a><\/h4>\n<table style=\"width: 100%;height: 611px\">\n<tbody>\n<tr style=\"height: 68px\">\n<td style=\"height: 68px;width: 89.726%\" width=\"585\">\n<h4><a href=\"https:\/\/portale2.unime.it\/agon\/agon\/autori\/a-f\/cicero-vincenzo\/\">VINCENZO CICERO<\/a><\/h4>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h4><a href=\"https:\/\/portale2.unime.it\/agon\/wp-content\/uploads\/sites\/104\/2026\/04\/S260c.pdf\"><em>Schermi della psiche<\/em>. Una prefazione<\/a><\/h4>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h4><a href=\"https:\/\/portale2.unime.it\/agon\/wp-content\/uploads\/sites\/104\/2026\/04\/S260c.pdf\">[<em>Screens of the Psyche<\/em>. A Preface]<\/a><\/h4>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n<td style=\"height: 68px;width: 10.274%\" width=\"64\">\n<h4>5<\/h4>\n<\/td>\n<\/tr>\n<tr style=\"height: 113px\">\n<td style=\"height: 113px;width: 89.726%\" width=\"585\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h4><a href=\"https:\/\/portale2.unime.it\/agon\/autori\/m-r\/marra-chiara-maria\/\">CHIARA MARIA MARRA<\/a><\/h4>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h4><a href=\"https:\/\/portale2.unime.it\/agon\/wp-content\/uploads\/sites\/104\/2026\/04\/S2601.pdf\">Razionalizzare l\u2019inaccettabile. Analisi del male in <em>Rope<\/em> e Zimbardo<\/a><\/h4>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h4><a href=\"https:\/\/portale2.unime.it\/agon\/wp-content\/uploads\/sites\/104\/2026\/04\/S2601.pdf\">[Rationalizing the Unacceptable: Analysis of Evil in Rope and Zimbardo]<\/a><\/h4>\n<\/div>\n<\/div>\n<\/td>\n<td style=\"height: 113px;width: 10.274%\" width=\"64\">\n<h4><strong>\u00a0<\/strong>9<\/h4>\n<\/td>\n<\/tr>\n<tr style=\"height: 68px\">\n<td style=\"height: 68px;width: 89.726%\" width=\"585\">\n<h4><a href=\"https:\/\/portale2.unime.it\/agon\/autori\/s-z\/spuria-emanuela\/\">EMANUELA SPURIA<\/a><\/h4>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h4><a href=\"https:\/\/portale2.unime.it\/agon\/wp-content\/uploads\/sites\/104\/2026\/04\/S2602.pdf\">Quando la psiche e\u0300 trappola a se stessa. Il mosaico identitario di Norman Bates<\/a><\/h4>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h4><a href=\"https:\/\/portale2.unime.it\/agon\/wp-content\/uploads\/sites\/104\/2026\/04\/S2602.pdf\">[When the Mind Becomes Its Own Trap: The Identity Mosaic of Norman <\/a><a href=\"https:\/\/portale2.unime.it\/agon\/wp-content\/uploads\/sites\/104\/2026\/04\/S2602.pdf\">Bates]<\/a><\/h4>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n<td style=\"height: 68px;width: 10.274%\" width=\"64\">\n<h4>63<\/h4>\n<\/td>\n<\/tr>\n<tr style=\"height: 113px\">\n<td style=\"height: 113px;width: 89.726%\" width=\"585\">\n<h4><a href=\"https:\/\/portale2.unime.it\/agon\/autori\/m-r\/malaspina-simone\/\">SIMONE MALASPINA<\/a><\/h4>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h4><a href=\"https:\/\/portale2.unime.it\/agon\/wp-content\/uploads\/sites\/104\/2026\/04\/S2603.pdf\">Neurocinema. La risonanza sensomotoria attraverso lo schermo<\/a><\/h4>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h4><a href=\"https:\/\/portale2.unime.it\/agon\/wp-content\/uploads\/sites\/104\/2026\/04\/S2603.pdf\">[Neurocinema: Sensory-Motor Resonance Through the Screen]<\/a><\/h4>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n<td style=\"height: 113px;width: 10.274%\" width=\"64\">\n<h4><strong>\u00a0<\/strong><\/h4>\n<h4>105<\/h4>\n<\/td>\n<\/tr>\n<tr style=\"height: 68px\">\n<td style=\"height: 68px;width: 89.726%\" width=\"585\">\n<h4><a href=\"https:\/\/portale2.unime.it\/agon\/autori\/a-f\/cutrupi-federica\/\">FEDERICA CUTRUPI<\/a><\/h4>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h4><a href=\"https:\/\/portale2.unime.it\/agon\/wp-content\/uploads\/sites\/104\/2026\/04\/S2604.pdf\">Le parole non dette. Linguaggio e trauma in <em>Gente Comune<\/em> di Robert Redford<\/a><\/h4>\n<\/div>\n<\/div>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h4><a href=\"https:\/\/portale2.unime.it\/agon\/wp-content\/uploads\/sites\/104\/2026\/04\/S2604.pdf\">[The Unspoken Words: Language and Trauma in Robert Redford\u2019s <em>Ordinary People<\/em>]<\/a><\/h4>\n<\/div>\n<\/div>\n<\/td>\n<td style=\"height: 68px;width: 10.274%\" width=\"64\">\n<h4>147<\/h4>\n<\/td>\n<\/tr>\n<tr style=\"height: 91px\">\n<td style=\"height: 91px;width: 89.726%\" width=\"585\">\n<h4><a href=\"https:\/\/portale2.unime.it\/agon\/autori\/s-z\/zaccone-sofia\/\">SOFIA ZACCONE<\/a><\/h4>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h4><a href=\"https:\/\/portale2.unime.it\/agon\/wp-content\/uploads\/sites\/104\/2026\/04\/S2605.pdf\">Frankenstein come figura dell\u2019inconscio. Mary Shelley e la psiche del femminile sovversivo<\/a><\/h4>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h4><a href=\"https:\/\/portale2.unime.it\/agon\/wp-content\/uploads\/sites\/104\/2026\/04\/S2605.pdf\">[Frankenstein As a Figure of the Unconscious: Mary Shelley and the<\/a><br \/>\n<a href=\"https:\/\/portale2.unime.it\/agon\/wp-content\/uploads\/sites\/104\/2026\/04\/S2605.pdf\">Psyche of the Subversive Feminine]<\/a><\/h4>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n<td style=\"height: 91px;width: 10.274%\" width=\"64\">\n<h4><strong>\u00a0<\/strong><\/h4>\n<h4>181<\/h4>\n<\/td>\n<\/tr>\n<tr style=\"height: 68px\">\n<td style=\"height: 68px;width: 89.726%\" width=\"585\">\n<h4><a href=\"https:\/\/portale2.unime.it\/agon\/autori\/a-f\/cicero-vincenzo\/\">VINCENZO CICERO<\/a><\/h4>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h4><a href=\"https:\/\/portale2.unime.it\/agon\/wp-content\/uploads\/sites\/104\/2026\/04\/S2606.pdf\">Oltre la metanarrazione? <em>Pulp Fiction<\/em> e l\u2019induzione sistematica alla rinarrazione<\/a><\/h4>\n<\/div>\n<\/div>\n<div class=\"layoutArea\">\n<h4 class=\"column\"><a href=\"https:\/\/portale2.unime.it\/agon\/wp-content\/uploads\/sites\/104\/2026\/04\/S2606.pdf\">[Beyond Metanarrative? <em>Pulp Fiction<\/em> and the Systematic Inducement<\/a><br \/>\n<a href=\"https:\/\/portale2.unime.it\/agon\/wp-content\/uploads\/sites\/104\/2026\/04\/S2606.pdf\">to Renarration]<\/a><\/h4>\n<\/div>\n<\/td>\n<td style=\"height: 68px;width: 10.274%\" width=\"64\">\n<h4>217<\/h4>\n<\/td>\n<\/tr>\n<tr style=\"height: 22px\">\n<td style=\"height: 22px;width: 89.726%\" width=\"585\">\n<h4><a href=\"https:\/\/portale2.unime.it\/agon\/wp-content\/uploads\/sites\/104\/2026\/04\/S2607.pdf\"><strong>AGON<\/strong><\/a><\/h4>\n<\/td>\n<td style=\"height: 22px;width: 10.274%\" width=\"64\">\n<h4>235<\/h4>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h4 style=\"text-align: center\"><strong>\u00a0<\/strong><\/h4>\n<h4 style=\"font-weight: 400\">Scarica tutto il <a href=\"https:\/\/portale2.unime.it\/agon\/wp-content\/uploads\/sites\/104\/2026\/04\/S26FULL.pdf\">Quaderno n. 26<\/a><\/h4>\n","protected":false},"excerpt":{"rendered":"<p>Quaderno n. 26 di \u00abAGON\u00bb Supplemento al n. 48 (gennaio-marzo 2026) &nbsp; VINCENZO CICERO (ED.) SCHERMI DELLA PSICHE PERCORSI TRA IMMAGINE, CORPO E NARRAZIONE [Screens of the Psyche: Paths between Image, Body, and Narration] \u00a0 SOMMARIO VINCENZO CICERO Schermi della &hellip; <a href=\"https:\/\/portale2.unime.it\/agon\/quaderni\/quaderno-26\/\">Continua a leggere<span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":52,"featured_media":0,"parent":501,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4522","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Quaderno 26 - \u00abAGON\u00bb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/portale2.unime.it\/agon\/quaderni\/quaderno-26\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Quaderno 26 - \u00abAGON\u00bb\" \/>\n<meta property=\"og:description\" content=\"Quaderno n. 26 di \u00abAGON\u00bb Supplemento al n. 48 (gennaio-marzo 2026) &nbsp; VINCENZO CICERO (ED.) 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